Räuber
2025 Oil on canvas 120 x 160 cm
2025 Oil on canvas 120 x 160 cm
2025 Oil on stretched plain cotton. 120 x 160 cm
2025 Oil on canvas 120 x 160 cm
Bronze wheat stalks and real wheat stalks installed as a field at Palais Mautner Jäger, the Parallel Art Fair Vienna and the Art Fair Back to Athens.
2025 Oil on canvas 120 x 150 cm
2025 Oil on canvas 120 x 150 cm
2025 Oil on canvas 200 x 200 cm
2025 Oil on canvas 30 x 40 cm
2025 Oil on canvas 60 x 50 cm
2025 Oil on cotton 120 x 150 cm
2025 Oil on canvas 30 x 40 cm
2025 Oil on canvas 30 x 40 cm
2025 Oil on canvas 60 x 50 cm
2025 Oil on canvas 50 x 60 cm
2025 Oil on canvas 50 x 60 cm
2024/2025 Oil on canvas 120 x 150 cm
2024/2025 Oil on canvas 120 x 150 cm
2024/25 Oil on canvas 120 x 150 cm
2024 Oil on canvas 60 x 80 cm
2024 Oil on canvas 130 x 170 (estimated)
2024 Oil on linen 166 x 200 cm
As hollow as the barrel itself is, it should be full for its intended purpose. Two by two, the barrels stand up there in the “warehouse”, which is to be understood more as a metaphorical space defined by the contours formed by the beams. They are connected to each other strap to strap, it‘s hard to believe how much fits inside. They are stored end to end and remain together until they are empty or their contents are needed elsewhere. Now you think they both have room on this fork in the beam, while one barrel stands more securely, the other tips over; it wasn‘t the last drop that caused the barrel to overflow, it was the other one that simply took the space to stand securely.
2024 True to size (McD packaging dimensions) Laser cut aluminium
2024 Oil on canvas 30 x 40 cm auctioned at Charity auction with ICEP and Sotheby's.
bronze casts of wheat stalks true to natural size polished
2024 Engraved aluminium bats A late-capitalist term, a dead giveaway, promoted by internet business coaches as the true means to a carefree life. „Passive income is a type of unearned income that is earned or maintained automatically and with minimal effort.“ (Wikipedia US) It is nothing more or less than the neoliberal version of a socialist concept, namely that of the unconditional basic income, whereby the individual is able to make a living through the state without being existentially dependent on an employer or hit by perpetual regression. One would think he deserves it, while he exploits, must exploit, the weak and vulnerable in the system, at the expense of what is still there. Ultimately, both terms are symptoms of a desire to have time to concentrate on something that is worth something to oneself.
2024 Oil on Belgium linen 220 x 170 cm
2024 Oil on canvas (diptych) 240 x 150 cm
2024 Oil on canvas 50 x 40 cm
2024 Oil on canvas 120 x 150 cm
2023/2024 Engraved aluminium baseball bats
2024 Oil on canvas (diptych) 240 x 150 cm
Nur die Harten haben Hoffnung – font on a 90s Mercedes SL
2024 Oil on canvas 120 x 150 cm
2024 Oil on stretched linen 120 x 150 cm
2024 Oil on canvas (Diptych) 240 x 150 cm
At the Museum of Applied Arts Vienna, (MAK), installed on furniture by Adolf Loos.
„They aimed to break down the boundaries between fine art and handwork and to promote the concept of the Gesamtkunstwerk.“ Throughout its existence, the Wiener Werkstätte was confronted with financial problems. Following the economic pressure of the worldeconomic crisis, it was closed in 1932. An even older design wisdom: „Form follows function“ from that time. „Design follows cost efficiency“ is the new guiding principle, consumer behavior behavior is subordinated to the design efficient everyday life. Consumer goods must either fit into our lives in a space-saving integrated into our lives or be be disposable at the next corner. The tea set, which can also be used indirectly as symbol for an afternoon break, is in its arranged form somehow similar to the fast food menu, but in view of our fast-paced and individualized society, it is merely a visual metonym. The fast food menu stands for the individual choice of consumption, products that mostly are wrapped or served in single use materials and the „fast food“ principle which follows the image of a fast pace society, forgetting about taking it‘s time for the good.
2024 Oil on canvas 40 x 50 cm
2024 Oil on canvas 120 x 150 cm
2024 Oil on canvas 120 x 150 cm
2024 Oil on canvas 30 x 40 cm
2024 Oil on canvas 40 x 50 cm
2024 Oil on canvas 30 x 40 cm
2024 Oil on canvas 40 x 25 cm
2024 Oil on canvas 30 x 40 cm
2024 Oil on canvas 120 x 150 cm
2024 engraved and toasted pick-axe.
In the world of Minecraft, players eagerly embark on a quest for diamonds. Armed with pickaxes, they explore underground caverns, facing challenges and dangers. With each block broken, anticipation grows until they uncover a precious blue diamond. These gems symbolize dedication, rarity, and the thrill of adventure. As players emerge victorious, diamonds in hand, they remain captivated by Minecraft‘s endless possibilities.
The minecraft world itself regenerates itself while walking towards the horizon. In the same time the endless exploitation of our real world seems to let us face the horizon, flooding towards us.
If the end‘s near, tools will change.
2024 Oil on canvas 30 x 40 cm
2023/2024 Oil on canvas 150 x 120 cm
2024 Oil on canvas 40 x 50 cm
2024 Oil on canvas 25 x 20 cm
2024 Oil on canvas 120 x 150 cm
2024 Oil on canvas 50 x 40 cm
2023/2024 Oil on canvas 240 x 300 cm
2023 Oil on canvas 120 x 150 cm
2023 Objects; ripped suits, kicked chairs, baseball bats
The RC Showroom at Schottentor is situated above the heads of passengers on their way to work; on their way down to catch the subway on time, a meeting room is visualized above them. The structure of the installation and the people who have to pass under it already creates the feeling of a head office sitting above us all. The visualized confrontation is meant to convey the discomfort and comment on the low human emotions that result from pressure in a capitalist society. The scene conveys the symptom of the „elbow mentality.“ A wild round of meetings with torn suits, overturned chairs and two baseball bats is meant to symbolize an ongoing state of struggle and bitterness towards fellow human beings.
2023 (nominated Strabag Art Award 2024) Oil on canvas 120 x 150 cm
2023 (Nominated Strabag Art Award 2024) Oil on canvas 50 x 40 cm
2023 Oil on canvas (Diptych) 200 x 120 cm
2023 Oil on aluminium and cardboard, aluminium framed 88 x 118 cm
2023 78 x 118 cm Steel, styrofoam and oil color
2022 True to size Fish filet with soy sauce, chopsticks and tray made from glass
They have emerged from the water and embarked on paths characterised by change.
Glass, which is melted from sand created by heat, air and external influences by the sea.the salmon, which transforms on its journey from the smallest streams to the sea and back again. Both represent a remarkable cycle empowered by natural forces: from the smallest to the largest, from cold to warm.
2021 Oil on canvas 80 x 100 cm
2021 Oil on canvas 80 x 100 cm
2021 Oil on canvas 30 x 40 cm
2021 Gold plated construction floor panel. Gold metal leafs and aluminium.
This metal object is intended exclusively for use. It provides a tread surface for thousands and thousands concertgoers, just as it carries construction workers between clay pit and scaffolding. Its use is always temporary. It would be the last piece of metal to undergo refinementwould be refined, which is why I wanted to gild it.
2021 (Prism Art Prize 1st) Oil on Belgium linen 145 x 185 cm
2021 Oil on canvas 40 x 50 cm
2021 Oil on styrofoam Size variable
2021 Oil on canvas 60 x 80 cm
2021 Oil on canvas 100 x 120 cm
2021 Oil on canvas 30 x 40 cm
2021 Oil on canvas 30 x 40 cm
2021 Oil on canvas 30 x 40 cm (x3)
2021 Oil on Linen 70 x 90 cm
2021 Oil on canvas 60 x 80 cm
2021 Oil on canvas 160 x 120 cm
2021 Oil on canvas 40 x 50 cm
2021 Oil on canvas 100 x 120 cm
2021 Oil on canvas 80 x 100 cm
2021 Oil on canvas 30 x 40 cm
2021 Oil on canvas 60 x 80 cm
2021 Oil on canvas 80 x 100 cm
2021 Oil on canvas 80 x 120 cm
2021 Oil on canvas 120 x 80 cm
2020 Objects, white paint.
While the carpet and the floor lamp represent an allegory of domesticity, the glow of the neon light stands for a humanistic enlightenment. Light and shadow exchange places here.
Where domesticity comes to an end, the light of enlightenment rises.
2019 Censored politcal posters. Wood, black acrylic and political party posters of all parties of the National selection in 2019.
It is an imposition how in intervals of 10 meters, these Gsichta, destroy the visual balance. What a crazy assumption, the voters are thereby more able to elect the right people for all the functions. And it is even more insane to claim that this kind of paid lobbying, the staging of individuals is a help to the people and secures democracy.
2019 Objects 120 x 60 cm
A fountain made from a steel hand railing and metal funnels.
Set up at ONDER STROOM, Antwerp, Belgium.
2018 Objects true to size